Attic’s work before 2018 includes:

2017: The Death of Ivan Ilyich by Stephen Sharkey. An intimate and immersive one-man show about life, death and beyond.

2016: Great Expectations an adaptation of Dickens’ novel by Theresa Heskin. This site-specific production was the flagship show marking the launch of Merton Arts Space.

2016: Beacons by Tabitha Mortiboy. An Attic commissioned new play about love, loss and midniht ice cream sundaes.

2014: Fields Unsown by Catherine Harvey and Louise Monaghan. A site-specific, promenade production telling the story of Morden Hall Park and its use as an auxiliary hospital in WWI.

2012: The world premiere of 1936, Tom McNab’s play about the Berlin Olympics at the Arcola Theatre, which was re-mounted at the Lilian Baylis Studio at Sadler’s Wells as part of the London 2012 Cultural Olympiad. This National Lottery Heritage Funded project has its own dedicated website with further information on the play and the history surrounding it.

Pre-2012: Other productions include The Grannie by Roberto Cosso, David Rudkin’s translation of Rosmersholm, Miss Roach’s War (adapted from Patrick Hamilton’s Slaves of Solitude) by Richard Kane (Croydon Warehouse and tour).

UK tours of Markings by Dominic Francis, Knives and Hens by David Harrower and Afterplay &The Bear by Brian Friel.

Jessie Kesson – a Good Crack at Life premiered at the RSC summerhouse, followed by a UK tour.

Revivals include The Ace of Clubs by Noel Coward and The Member of the Wedding by Carson McCullers (Wimbledon Studio).